MORBID CURIOSITY: Celebrity Tombstones Across America      |   home
January   |   February   |   March   |   April   |   May   |   June   |   July   |   August   |   September   |   October   |   November   |   December
January
Thursday, 1 January
Harold Henning, pro golfer, after a long illness, 69.
David Bale, an activist and the husband of feminist
writer Gloria Steinem, has died at age 62.

Friday, 2 January
Etta Moten Barnett, actress ("Flying Down to Rio"), of pancreatic cancer, 102.
Paul Hopkins, major-league baseball player (Washington), 99.

Saturday, 3 January
Rick Van Santen, a co-president of Goldenvoice, a Los Angeles concert promotion
company that ushered punk rock from the fringes of the music scene to a wide
audience, died Sunday at his home in Ventura County of flu-related
complications, his Goldenvoice partner Paul Tollett said. He was 41.

Beatrice Winde, a stage and screen actress and director, died January 3, 2004
two days short of her 80th birthday, at her home in New York, according to
friends.
The cause of death was cancer. The Chicago native, born Beatrice Lucille
Williams, graduated from the Chicago Music Conservatory with hopes of pursuing a
singing career.
She attended Yale School of Music and toured with its "Colored Choir," then came
to New York to study at Juilliard.
Along the way, she began pursuing acting. Mixing acting and singing talents, Ms.
Winde won the Theatre World Award and snagged a 1972 Tony Award nomination for
Best Featured Actress in a Musical for Ain't Supposed to Die a Natural Death.
In Ain't Supposed to Die she was the woman fervently yelling, "Hey,
Doro-thy...!," to her lover, incarcerated somewhere within New York City's
Women's House of Detention.
In 1997, Ms. Winde co-starred with actors Rip Torn and Shirley Knight in Horton
Foote's The Young Man From Atlanta, at Chicago's Goodman Theatre, where she
earned a Joseph Jefferson Award. She and the staging transferred to Broadway.
In 1997, Ms. Winde received the National Black Theatre's Living Legend Award.
Her stage credits include A Lesson Before Dying, Dreaming Emmitt, One Last Look,
and performances at Negro Ensemble Company, Manhattan Theatre Club, Signature
Theatre, Playwrights Horizons, Frank Silvera Writers' Workshop, Henry Street
Settlement, WPA, La Mama, Arena Stage, Long Wharf Theatre, Center Stage, Seattle
Repertory Theatre, Capitol Repertory Theatre, McCarter Theatre, American Stage
Company, Missouri Repertory Theatre, and elsewhere.
Her credits also include many films, such as "Mickey Blue Eyes," "The
Hurricane," "Simon Birch," "The Real Blonde," "She's the One," "Lone Star,"
"Dangerous Minds," and the TV serial "Guiding Light."
Her theatre credits as a director include original works by playwrights Gertrude
Greenridge, Steve Carter, Ed Bullins at Seattle's Black Arts West; LeBourgeois
Gentilhomme at The Family Rep Inc. (also seen in Paris), Invitation to the
Blues, The Dream Exchange, Zelda's Ghost Dance and Eddie 'Heartbreaker' Malone.
She was cremated in New York City, and her ashes will be "set free," by her
request, according to friends, at a special place in Chicago, following a
memorial at the Church of the Good Shepherd. A memorial in New York is being
planned.


Sunday, 4 January

Actress Dorothea Vida Ross, 103, of Rancho Mirage died Jan. 2, 2004, of natural
causes.
Ross was an actress for both silent and sound films, known on screen as Dorothea
Hays.
She began her career as a model and in the early 1920s began acting for the
screen in "Wine," distributed by Universal Pictures. She made the transition to
sound films in 1927 with "The Jazz Singer," where she appeared with Al Jolson.
She was a member of the Theater Guild and active in the USO during World War II.
She was born Oct. 1, 1900, to William R. and Amanda Shields Hays in Bloomington,
Ind.
She married Benjamin R. Ross in 1938.
She is survived by her sister, Olive Gates, of Rancho Mirage.
She was preceded in death by her husband, Benjamin R. Ross, in 1962.
A service will be held at 10 a.m. Wednesday at Victory Christian Center of
Rancho Mirage with Wiefels & Son Funeral Directors in charge of arrangements.
The family suggests a donation be made to American Heart Association.


Steven Dorfman, who for nearly two decades wrote questions — that is, answers —
for the television game show "Jeopardy!," died on Sunday at his home in Los
Angeles. He was 48.
The cause was complications of colon cancer, his father, Neil, said.

Allen Miner - Writer, director and producer best known for his work on TV on
such series as "Wagon Train", "Perry Mason", "Route 66", "Mission Impossible"
and "The Untouchables", who directed and produced several films including "The
Naked Sea" in 1955 and "Black Patch" in 1957, and who wrote and directed the
1968 film "Chubasco", died January 4, 2004 in San Marcos, California at age 86.
Miner also was a combat photographer in WWII who shot newsreel footage of
beachhead battles in the South Pacific and recorded General Douglans McArthur's
landing in the Philippines



Monday, 5 January

PHILADELPHIA - Tug McGraw, the zany relief pitcher who coined the phrase "You
Gotta Believe" with the New York Mets and later closed out the Philadelphia
Phillies only World Series championship, died Monday. He was 59.

McGraw died of brain cancer at the home of his son, country music star Tim
McGraw, outside of Nashville, according to Laurie Hawkins, a family
spokesperson. He had been battling the disease since March when he underwent
surgery for a malignant tumor.

McGraw's illness came as a shock to fans and friends alike last spring. He was
at Phillies' training camp in Clearwater, Fla., as a special instructor, looking
fine and acting as funny as ever. On March 12, he was hospitalized and the tumor
was discovered. He later said there had been signs something was wrong. For
example, he mistakenly showed up at the ballpark on an off day.

"We lost a part of Mets history tonight," Mets owner Fred Wilpon said. "Tug was
a battler on and off the field. I know he fought the disease with every ounce of
energy he had. We'll all miss him dearly."

Especially former Phillies teammate and Hall of Famer Mike Schmidt.

"He put up a gallant fight," Schmidt said. "Publicly, he never let on that he
had gotten a raw deal. He was Tug through the entire thing. As he always said,
`I front-loaded my life, just like my contract.' His passing is hard to take
because his presence meant so much to people around him."

Bob Boone, who was the Phillies' catcher from 1972-81, remained a close friend,
too.

"I was real pleased I was able to be with him a little bit the last couple of
months," Boone said from his home in Anaheim, Calif. "All of a sudden it hit and
he went real quick, which probably is a blessing.

"I know he got more living out of his 59 years than anybody. What you saw was
what Tug was. There was no phoniness at all. He loved people and loved life."

McGraw participated in the closing ceremonies for Veterans Stadium, which will
be demolished next month. During the program, he re-enacted his final pitch of
the 1980 World Series, striking out Kansas City's Willie Wilson for the title.

He popularized the phrase "You Gotta Believe" during the Mets' 1973 NL
championship season and carried the slogan through his illness, vowing he'd be
on hand next month to push the button to bring down the Vet.

McGraw was known for charging off the mound, slapping his right hand on his
thigh and tapping his chest after a close call.

"Patting his hand on his heart after a guy hits a home run foul, who would do
that in the heat of the battle?" said Phillies manager Larry Bowa, who played
with McGraw on the 1980 championship team. "But it showed he had no fear. He was
loose. That's how he played the game."

A left-hander who threw a screwball, McGraw could be a bit of screwball himself.


Once asked whether he preferred to play on a grass field or an artificial
surface, he said, "I don't know. I never smoked any AstroTurf."

McGraw's playful personality often overshadowed his talent. He was an
outstanding big-game pitcher during his 19-year career.

In 26 postseason games, he had a 2.23 ERA and was 3-3 with eight saves.

McGraw was 96-92 with a 3.14 ERA and 180 saves, and was a two-time All-Star. He
made his major league debut with the Mets in 1965 at age 20 and finished with
the Phillies in 1984.

After the 1974 season, McGraw was traded by the Mets to Philadelphia in a
six-player swap that sent John Stearns to New York. With McGraw, the Phillies
won five division titles, two NL pennants and one World Series.
McGraw had 20 saves and a 1.46 ERA in 1980, helping put Philadelphia into the
playoffs. After the Phillies got past Houston in a tight NLCS — McGraw pitched
in every game of the best-of-five series — they faced the Royals in the World
Series.
In addition to his son Tim, McGraw is survived by sons Mark and Matthew McGraw;
a daughter, Cari Velardo, and four grandchildren.
Funeral arrangements were not immediately available.

John Guerin, 64; Star Jazz and Pop Drummer
John Guerin, a drummer who was best known as a founding member of the L.A.
Express and for his contributions to an innovative Joni Mitchell recording, has
died. He was 64.

Guerin, who had a broad resume in both jazz and pop, died Monday, January 5,
2004 of heart failure at West Hills Hospital in West Hills. He had been battling
a cold that led to pneumonia, but continued to perform as late as Dec. 30, when
he accompanied singer Steve Tyrell at the Catalina Bar & Grill in Hollywood.
Guerin was hospitalized the next day.

As a performer, producer and arranger, he worked with a number of the leading
figures in jazz and pop music in his four-decade career. In the world of jazz,
that list included Thelonious Monk, George Shearing, Ella Fitzgerald and Roger
Kellaway. Among pop and rock figures, besides Mitchell, Guerin played with Frank
Sinatra, Frank Zappa, the Byrds, Lou Rawls and Linda Ronstadt.

In 1975, Guerin was a founding member of the L.A. Express, a jazz fusion band
made up of four studio musicians. Led by saxophonist Tom Scott, the top-flight
roster included guitarist Robben Ford and bassist Max Bennett.

The band started playing Tuesday-night gigs at the Baked Potato, a small jazz
club in North Hollywood. After hearing the group play, Mitchell invited the
combo into the studio when she was recording her "Court and Spark" album. The
band later went on tour with her as the opening act.
Guerin also collaborated with Mitchell on the title track of her album "The
Hissing of Summer Lawns."
"I'm very proud of that album," he told Down Beat magazine. "It's a portrait in
sound of the American dream, marriage and suburbia, in a myriad of shapes and
forms. The album has touched a lot of people where they didn't want to be
touched. Joni has a way of articulating self-exploration in a very heartfelt
way."
Guerin was born in Hawaii but grew up in the San Diego area.
By his early 20s, he was performing professionally with major figures such as
clarinetist Buddy DeFranco.
Guerin played with pianist Shearing in the mid-1960s and was off and running on
an eclectic career that included work on film scores, notably those for Clint
Eastwood's biography of Charlie Parker, "Bird," and the recent Diane Keaton-Jack
Nicholson release, "Something's Gotta Give."
Guerin is survived by his wife, Michelle Palombi Guerin, of Chatsworth; a son,
Scott, of Los Angeles; a sister, Victoria Shoemaker, of Oakland; a brother,
Michael, of Santa Rosa; and two grandchildren. Another son, Shaun, died last
summer.
The family suggests that donations be made to Guerin's favorite charity, the
Nevada SPCA, 4800 W. Dewey Drive, Suite D, Las Vegas, NV 89118.


Tuesday, 6 January
NEW YORK - Fashion photographer Francesco Scavullo, who shot covers for
Cosmopolitan magazine for more than 30 years, died Tuesday morning, January 6,
2004 of heart failure, his companion said. He was 81.
Scuvullo was preparing for an assignment when he complained of feeling weak, and
then collapsed, Sean Byrne said.
Known for works ranging from enamel-on-canvas photo silkscreens to portraits of
celebrities such as Grace Kelly and Elizabeth Taylor, Scavullo was also
recognized for his photographs of children. One of the most famous was his 1975
portrait of a young Brooke Shields.
Byrne said his partner's work was guided by his love of beauty and children —
themes Scavullo himself cited in a 1985 interview with The Associated Press.
"I have a passion for taking pictures of beautiful women," he said in the
interview. "I was fascinated when my mother got done up. My mother made the
transformation from Cinderella every day of her life."
Born Jan. 16, 1921, on Staten Island, Scavullo was one of five children whose
father owned the old Central Park Casino. As a youth he got a job assisting the
fashion photographer, Horst, and learned much of his craft from him.
He later worked for Vogue and Seventeen magazines before launching a lucrative
and lengthy career that included photographing covers for Cosmopolitan, Harper's
Bazaar and other magazines. At the peak of his career he commanded as much as
$10,000 a sitting.
"He was one of the most generous people I ever met in my life," Byrne said. "He
helped a lot of needy people and never mentioned it."

Thursday, 8 January

Thomas Kindness, U.S. Congressman (R-OH, 1975-87), of cancer, 74.

STOCKHOLM, Sweden - Ingrid Thulin, who with Greta Garbo (news) and Ingrid
Bergman (news) was often cited as one of Sweden's best actresses, has died at
the age of 76.
Thulin died Wednesday at Karolinska Hospital in Stockholm, Swedish news agency
TT reported. She had lived in Rome since the 1960s, but had returned to Sweden
for treatment of an unspecified illness.
Born Jan. 27, 1926, in Sollefteaa in northern Sweden, Thulin trained as a ballet
dancer and attended Stockholm's Royal Dramatic Theatre.
She worked in stage productions with legendary Swedish film director Ingmar
Bergman (news) before moving to films, appearing in minor roles in the 1940s and
1950s.
It was her film work with Bergman that eventually brought her fame, including a
shared Cannes Film Festival (news - web sites) best actress award in 1958 with
fellow Swedes Bibi Andersson and Eva Dahlbeck for their roles in "Brink of
Life."
In 1956 she was cast with Robert Mitchum (news) in "Foreign Intrigue," her first
American starring role, according to the All Movie Guide.
Her time in Hollywood was marred by her role in 1962's "The Four Horsemen of the
Apocalypse." Before the film came out, her lines were dubbed over by actress
Angela Lansbury (news).
Thulin also appeared on Broadway and on television productions, including a 1961
remake of "Intermezzo" on NBC and in "Moses, The Lawgiver" on CBS in 1975.
After her first marriage to Claes Sylwander ended in divorce, she remarried in
1958 to Harry Schein, founder of the Swedish Film Institute.
There was no information on survivors or funeral plans

WOODLAND HILLS, Calif. (AP) — Paul W. Keyes, an award-winning television comedy
writer and producer for shows including "Rowan & Martin's Laugh-In," died Jan. 2
of natural causes. He was 79.
He was buried Thursday, a cemetery spokesperson said.
Keyes won three Emmy Awards and was nominated for 10 during his long career that
began in radio. He wrote and produced for "The Dean Martin Show" and later for
presentations of the Emmys, the Grammy Awards and the People's Choice Awards.
After starting out in radio production for the Yankee Network and Hearst Radio,
Keyes moved to television, and by 1955 was a writer for NBC.
In 1957, Keyes became head writer for "The Jack Paar Show," which he later
produced.
Keyes won an Emmy in 1968 for his writing on "Laugh-In," another in 1969 for
producing the show, and another in 1974 for producing "The American Film
Institute ( news -web sites ) Salute to James Cagney."
He earned a Golden Globe Award and in 1994 was inducted to the Producers Guild
of America Hall of Fame.
Keyes forged a friendship with President Nixon, produced specials for Frank
Sinatra and John Wayne, and oversaw a series of "All Star Parties" to raise
money for Variety Clubs International by honoring celebrities.

Songwriter and pioneering Music Row businesswoman Lorene Allen died Friday
evening, January 9, 2004 at Alive Hospice after a long battle with cancer. She
was 78.
Her songs were recorded by such stars as Loretta Lynn, Sonny James, Charlie
Louvin, Conway Twitty, Eddy Arnold, Ernest Tubb, Dottie West, Don Gibson, Marie
Osmond and Pat Boone.
She served as the general manager for Loretta Lynn Enterprises until her
retirement in 1994. In September Ms. Allen was honored by the SOURCE
organization at its inaugural banquet to salute the female pioneers of the
Nashville music business.
Born Lorene Linville Allen on Oct. 13, 1925, in Hominy, Okla., she began her
professional career in the oil industry, eventually becoming the only female
executive at DX Sun Oil in Tulsa. She moved to Nashville to pursue songwriting
in 1966.
In the late 1960s, Ms. Allen worked for the Grand Ole Opry duo The Wilburn
Brothers, then at Capitol Records. She then became Lynn's office manager and
oversaw her Coal Miner's Music publishing company.
Lorene Allen's name was originally listed in the songwriter credits for The Pill,
 one of Lynn's most famous and controversial recordings.
Daughter Meredith Miller said yesterday that her mother frequently helped Lynn
with other songs without taking credit.
Among Ms. Allen's most notable compositions are Another Man Loved Me Last Night
,Let Me Go ,You're Hurtin' Me and If We Put Our Heads Together (Our Hearts Will
Tell Us What to Do) , all recorded by Lynn in 1968-69.
Lorene Allen was a communicant of the Cathedral of the Incarnation. She is
survived by her husband, Harold Dee; two daughters, Theresa Cokes of Hot
Springs, Ark., and Meredith Miller of Nashville; and two grandchildren.
A brief service was held in her honor on Monday, January 12th in the south side
mausoleum at Woodlawn Memorial Park.

Saturday, 10 January

Max Duane Barnes, country songwriter ("Chiseled in Stone"), of pneumonia, 67.

David Lees, photographer ("Life"), of pneumonia, 86.

Ewald Pyle, major-league baseball player (New York Giants), 93.
Ripley, Author of 'Scarlett,' Dies at 71

RICHMOND, Va. - Alexandra Ripley, the prolific historical fiction writer best
known for "Scarlett," the official sequel to "Gone With the Wind," has died. She
was 71.

Ripley died of natural causes January 10, 2004 at her Richmond home, her
daughter, Elizabeth Lyon Ripley, said Sunday.

The estate of "Gone With the Wind" author Margaret Mitchell picked Ripley to
write "Scarlett." The 1991 novel was met by lackluster reviews, but ended up a
best seller.

Ripley had always wanted to be a writer, but "didn't get up the nerve" until
after she had worked at several publishing houses, writing catalog and flap copy
for books that had been accepted for publication, said the author's friend and
former publicist, Lynn Goldberg.

Her first novel, "Who's That Lady in the President's Bed?" was published in 1972
under the pseudonym B.K. Ripley.

Ripley's "Charleston" became the first of the historical novels for which she
was best known. It was followed by books including "On Leaving Charleston," "The
Time Returns" and "A Love Divine."

Part of Ripley's charm was her whole-hearted enjoyment of life, Goldberg said.
She would regale her friends with stories about her adventures and misadventures
with self-deprecating humor, she said.

"Her recollections were the stuff of novels," Goldberg said. "She often said
that if it hadn't happened to her, she wouldn't believe it, either. If asked if
her life story was real, she could quote Marco Polo, saying, 'I did not tell
half of what I saw.'"

Ripley is survived by two daughters, Elizabeth Ripley and Merrill Ripley Geier,
and a granddaughter, Alexandra Geier, all of Richmond. She was separated from
John Graham of Charlottesville.


Sidney Miller, 87, an actor, director and songwriter known for his touch with
comedy and work with Donald O'Connor, died Jan. 10 in Los Angeles after a
two-year bout with Parkinson's disease.
Beginning as a child and juvenile actor, Miller appeared in about 100 films,
most notably with Mickey Rooney in 1938's "Boys Town," which won an Oscar for
Spencer Tracy as Father Flanagan, and the movie's sequel, "The Men of Boys
Town." He had an important supporting role as "Slow-Burn" in Billy Crystal's
1988 film "Memories of Me." He also voiced several cartoon characters for
children's television programs.
As a director, Miller guided episodes of such television series as "The Ann
Sothern Show," "The Real McCoys," "My Favorite Martian," "The Addams Family,"
"Get Smart," Marlo Thomas' "That Girl," and "The Mickey Mouse Club." Miller was
comedy consultant, writer and sketch director for "The Donnie and Marie Osmond
Show." He memorably appeared as a drunk on episodes of "Dragnet" and wrote the
song "Foggy Night in San Francisco" for the Jack Webb series.
Miller first paired with O'Connor for comedy sketches on the early 1950s
television variety show "Colgate Comedy Hour," and nearly two decades later
produced "The Donald O'Connor Show."
He remained O'Connor's longtime partner, writing songs and sketches for the
star's musical motion pictures and television specials.

Sunday, 11 January

Erle Jolson Krasna, an occasional actress who was the influential widow of both
singer Al Jolson and Oscar-winning screenwriter and producer Norman Krasna, has
died. She was 81.
Krasna died Sunday, January 11, 2004 of cancer at her Century City home.
Widowed by Jolson's death in 1950, she retained control over his recordings
after marrying Krasna a year later. Jolson, whose signature song was "My Mammy,"
became a superstar in the first "talkie," "The Jazz Singer" of 1927.
Krasna was portrayed by actress Barbara Hale in the 1949 "Jolson Sings Again," a
sequel to the better-received 1946 biopic "The Jolson Story." When Jolson's
remarkable life in entertainment was revisited in the 1999 stage musical, Krasna
attended its premiere at the Pasadena Civic Auditorium before it ventured to
Broadway as "Jolson & Co."
The former Erle Chenault Galbraith, born Dec. 1, 1922, in Little Rock, Ark., was
an X-ray technician at the Army and Navy General Hospital in Hot Springs, Ark.,
when she met Jolson, known for his tours to entertain troops. The singer, 36
years her senior, suggested that, pretty as she was, she should try Hollywood.
The young woman signed a contract with Columbia, then went on to 20th Century
Fox when Columbia declined to pick up her option. She had a few small roles
showcasing her beauty, including one in a Phil Silvers comedy, but never earned
major recognition.
On March 24, 1945, she married Jolson in Quartzsite, Ariz., becoming his fourth
wife. Upon his death five years later from a heart attack in San Francisco,
after a tour to entertain soldiers in the Korean War, she also became his widow.
At age 28, she was in control of nearly half of his $4-million estate and, more
important, his musical legacy.
The couple had adopted a son and named him after Jolson, who was born Asa
Yoelson in Lithuania. Young Asa, also called Albert Jolson Jr., has been known
most of his life as "Jolie."
The youthful widow met Krasna, 13 years her senior, the summer after Jolson's
death and just after the writer's five-day engagement to actress Betty Hutton
had ended. The couple married Dec. 7, 1951.
Norman Krasna, originally a New York journalist and playwright, had won an
Academy Award in 1943 for his script to "Princess O'Rourke" starring Olivia de
Havilland and was nominated for Oscars for three other screenplays — "The
Richest Girl in the World" in 1934, Fritz Lang's "Fury" in 1936 and "The Devil
and Miss Jones" in 1941.
By the time he married Erle Jolson, he was also a producer and executive helping
to run RKO.
The Krasnas later spent 20 years as residents of Switzerland. He died in 1984.
In addition to Jolie, Krasna is survived by three children from her marriage to
Norman Krasna, Beth, Emily and David; and three grandchildren.
A service is scheduled for 1 p.m. Friday at All Saints Episcopal Church, 504 N.
Camden Drive, Beverly Hills.



Monday, 12 January

Randy Van Warmer, pop singer ("Just When I Needed You Most"), of leukemia, 48.

William T. Young, racehorse owner, 85.

Philip Crosby , one of Bing Crosby's twin sons and the last of the
four sons from the legendary crooner's first marriage has died of natural causes. He
was 69. Philip was found dead in his Woodland Hills home on Tuesday.
Philip Crosby, one of Bing Crosby's twin sons — and the last of the four sons
from the legendary crooner's first marriage — has died. He was 69.
Crosby was found dead in his Woodland Hills home on Tuesday, according to Crosby
family attorney Ed O'Sullivan. The Los Angeles County coroner's office said
Crosby died of natural causes.
Crosby's four sons from his marriage to former jazz singer-actress Dixie Lee,
who died of cancer in 1952, were Gary, Lindsay and twins Philip and Dennis. All
four entered show business as young men and had varying degrees of success.
In the late '50s, the four brothers formed a nightclub act called the Crosby
Boys and performed in Las Vegas and elsewhere, including on their father's TV
specials.
But the young Crosbys were known for getting into trouble with drinking and
other problems, and Gary dropped out of the Crosby Boys in 1959 after a
dressing-room brawl with his brothers in Montreal. He then launched a solo act,
and his brothers continued performing as a trio.
Philip Crosby, who made some recordings and had small roles in films such as
"Robin and the Seven Hoods" and "None but the Brave," both starring Frank
Sinatra, had a relatively short-lived show-business career.
In 1983, he told People magazine that he hadn't performed in a year and that his
last gig was at an Elks Club party in Burbank.
By then he had been married four times, the first three to Las Vegas showgirls.
He had also been arrested several times for drunk driving in 1980 and, despite
18 months of Alcoholics Anonymous, he told the magazine, "I don't drink anymore
— but I don't drink any less."
Each of the Crosby brothers, according to the magazine article, received
four-figure monthly checks from a trust fund established by their mother.
Born in Los Angeles in 1934, Philip Crosby and his brothers grew up in a 20-room
mansion in the Holmby Hills neighborhood on the Westside, where they became
fodder for their father's publicity machine and posed for pictures in matching
outfits.
The National Father's Day Committee once honored Bing Crosby as "Hollywood's
Most Typical Father."
But his image as the easygoing, all-American father was shattered decades later
with the publication of Gary Crosby's 1983 memoir "Going My Own Way."
In the book, the eldest Crosby son portrayed Bing as a cold, aloof and abusive
father who frequently beat his sons.
Both parents were strict disciplinarians. When Philip hid his bacon and eggs
under a rug instead of finishing his breakfast, Gary Crosby wrote, their mother
found the food and forced him to eat it, "dirt, hairs and all."
And the punishment for not putting away their underwear was to tie the underwear
in a string and wear it around their necks until bedtime.
But it was Bing's job to provide the whippings for the most serious offenses and
Gary, reportedly the most rebellious of the four brothers, received the most
beatings.
As soon as their father got home and learned of the day's offense, he told
People, "I'd get bent over and my pants taken down and beat until I bled." Gary
Crosby's book provoked what the magazine characterized as "a high-powered
fraternal feud."
"Gary is a whining … crybaby, walking around with a 2-by-4 on his shoulder and
just daring people to nudge it off," Philip Crosby said at the time.
Dennis Crosby called the book "Gary's business," while brother Lindsay sided
with Gary. "I'm glad he did it," he said. "I hope it clears up a lot of the old
lies and rumors."
Philip Crosby disputed many of the revelations in his brother's book but did not
deny that his father believed in corporal punishment.
"We never got an extra whack or a cuff we didn't deserve," he told People.
After attending a strict, Jesuit-run boarding school south of San Francisco, he
served a stint in the Army in the mid-1950s and attended what is now Washington
State University in Pullman, where he was a guard on the football team.
Chuck Morrell, the team's star fullback who shared a house with Crosby at the
time, recalled that when Philip needed a car in college, his father had a driver
deliver him a brand-new Chevrolet.
"He wasn't snooty or anything," Morrell, who remained lifelong friends with
Crosby, told The Times on Friday. "He was a good, friendly guy and everybody
liked him. You wouldn't know he was Bing Crosby's son."
Bing Crosby died in 1977 at age 73. Lindsay Crosby committed suicide in 1989, as
did Dennis Crosby two years later. Gary Crosby died from complications of lung
cancer in 1995.
Philip Crosby is survived by four children: Mary Elizabeth Crosby, Dixie Lee
Crosby, Flip Crosby and Philip Crosby Jr.; and three half-siblings from Bing
Crosby's second marriage, to Kathryn Grant: Harry Crosby, Mary Frances Crosby
and Nathaniel Crosby.
A funeral Mass will be held at 7 p.m. Monday at Church of the Good Shepherd in
Beverly Hills.



NASHVILLE, Tenn. (Reuters) - Country music songwriter Max Barnes, who wrote hits
for such stars as George Jones (news) and Merle Haggard (news), has died,
hospital officials said on Monday.
Barnes, 67, suffered complications from pneumonia and died on Sunday, a Baptist
Hospital spokesman said.
Barnes was best known for the hits "Chiseled in Stone," written with
singer-songwriter Vern Gosdin (news) and nominated for a Grammy, "Look At Us,"
and "Who's Gonna Fill Their Shoes?" a major hit for Jones.
He also co-wrote numerous songs with Haggard and other performers and won
numerous Country Music Association awards.
Barnes was elected to the Nashville Songwriters Association Hall of Fame in
1992.
Born in Hardscratch, Iowa, he worked as a carpenter and truck driver before
moving to the country music capital of Nashville in 1973. His first hits were
"Don't Take It Away" and "Redneckin' Love Makin' Night," recorded by Conway
Twitty (news).

NASHVILLE, Tenn. - Randy VanWarmer, who recorded the pop hit "Just When I Needed
You Most" and then had a successful career as a songwriter, has died. He was 48.
Randy VanWarmer
VanWarmer died Monday night in Seattle at the University of Washington Medical
Center, where he was being treated for leukemia. He had been ill for about a
year.
"Just When I Needed You Most" reached No. 4 on Billboard's pop chart in 1979.
VanWarmer, also a guitarist, had written it when he was 18.
More recently, VanWarmer wrote "I'm in a Hurry (And Don't Know Why)," a No. 1
hit by the country group Alabama in 1992, and "I Guess It Never Hurts to Hurt
Sometimes," No. 1 by the Oak Ridge Boys in 1984.
"A lot of people think he disappeared after 'Just When I Needed You Most,' but
he had a good run as a songwriter," Jeff Pearson, a close friend and fellow
songwriter, said Tuesday.
"I've seen audiences mesmerized by him when he performed," Pearson said. "His
voice, in one word, was angelic."
VanWarmer was born March 30, 1955, in Indian Hills, Colo., and spent much of his
childhood in Cornwall, England, after his father died. As a young man he lived
in New York City and then Los Angeles before moving to Nashville in 1985.
VanWarmer had recently recorded a duet with country singer Razzy Bailey,
"Sandcastles," due to be released this spring

Tuesday, 13 January

David N. Henderson, U.S. Congressman (D-NC, 1961-77), 82.

V. J. Lovero, sports photographer ("Sports Illustrated"), of lung cancer, 44.

Arne Naess, shipping executive (Norwegian), in a fall while mountain climbing,
66.

Wednesday, 14 January

Jack Cady, science fiction writer ("The Hauntings of Hood Canal"), of bladder
cancer, 71.

Uta Hagen, Broadway actress ("Who's Afraid of Virginia Woolf?"), after a lengthy
illness, 84.

Ron O'Neal, actor ("Superfly"), of cancer, 66.
LOS ANGELES - Actor Ron O'Neal, best known for starring in two "Superfly"
blaxploitation movies in the 1970s, has died. O'Neal, who was 66, died Wednesday
night at Cedars Sinai Medical Center in Los Angeles after a long battle with
cancer, his wife said.
O'Neal played a cocaine dealer named Youngblood Priest in "Superfly" and the
sequel, "Superfly TNT," which he also directed. Though known for his work as a
street tough character in the films, O'Neal also was a stage actor. In fact, it
was his performance in Joseph Papp's Public Theater production of "No Place To
Be Somebody" that brought O'Neal to the attention of the producers of
"Superfly."
Following the "Superfly" films, O'Neal had a long career as a character actor on
television and in movies, appearing in low-budget films like "Mercenary
Fighters" in 1987 and "Up Against the Wall" in 1991, which he also directed. In
1996, he joined Jim Brown (news), Fred Williamson, Richard Roundtree (news) and
Pam Grier (news) in a reunion of blaxploitation superstars in the film "Original
Gangstas."
O'Neal capped his career two years ago with a performance in "On The Edge,"
teaming again with Fred Williamson and Ice-T.

LONDON (AFP) - Family doctor Harold Shipman, who murdered more than 200 patients
to become one of the worst serial killers of all time, hanged himself in his
prison cell, on the eve of his 58th birthday, prison officials said.
"He was found hanging in his cell" at Wakefield prison, Yorkshire, a spokeswoman
for the prison service told AFP as his body was removed for a post-mortem
examination.
Shipman, who became known as "Doctor Death", was sentenced to life imprisonment
in January 2000 for the murder of 15 female patients between 1975 and 1998, and
faced no prospect of parole.
Two years later, an inquiry concluded that he was responsible for the deaths by
lethal injection of at least other 200 mostly female and elderly patients at his
practice in Cheshire.
A prison source, speaking on condition of anonymity, said Shipman "used a
bedsheet as a ligature from the bars on his windows" to take his life in his
single-occupant cell.
Most of Shipman's victims died suddenly, without having experienced any
life-threatening symptoms.
His motivation for the murders was never known, though the judge who headed the
inquiry said it was possible he was addicted to killing.
"I am not sorry he has gone, but it brings it all back and it stirs it all up
for us again," said Kathleen Wood, whose 83-year-old mother Bessie Baddeley died
in 1997 at Shipman's hands.
"I just wish he had been forthcoming and admitted he had done those things,"
Wood said. "It would have put a lot of people's minds at rest."
Home Secretary David Blunkett ruled in June 2002 that Shipman should never be
released from jail -- joining a select few prisoners in Britain who have been
told they would remain in prison until their dying day.
Shipman's lawyer Giovanni di Stefano told Sky News television that his client
had been intending to lodge an appeal against his murder conviction.
"Dr Shipman had never ever accepted his guilt and he's never ever admitted
culpability in any of the murders that he's convicted of," Di Stefano said.
"Something is not really quite right there."
In a statement, the prison service said: "Mr Shipman was found hanging in his
cell at 6:20 am (0620 GMT) and despite the best efforts of staff who immediately
attempted resuscitation he was pronounced dead by a doctor at 8:10 am."
The statement said that since arriving at Wakefield on June 18, 2003, Shipman
had never been on a suicide watch and had been treated like other inmates.
Prisons minister Paul Goggins announced that a full investigation into the death
would be carried out by prisons ombudsman Stephen Shaw.
The independent inquiry beginning Wednesday will look into whether warning signs
that Shipman was planning suicide had been missed by jail authorities.
A prisons spokeswoman said Shipman had been behaving "utterly normally" and
shown no signs of suicidal tendencies, even down to a telephone conversation
with his wife Primrose on Monday night.
Brian Caton, general secretary of the Prison Officers Association, the union
that represents Britain's prison guards, said Shipman "held the curtains around
himself so that no one could see him".
"It would appear that Shipman settled in well at Wakefield," he said. "He hadn't
been on a suicide watch at all and wasn't on a suicide watch at the time that he
took his life.
Caton added: "Whilst it's a loss of a human life, it's a loss of one of the
vilest humans in the country."
In a July 2002 report, Dame Janet Smith, the senior judge who chaired the
inquiry into the kind-looking bearded physician, said it was "possible" that
Shipman "was addicted to killing".
"He betrayed (patients') trust in a way and to an extent that I believe is
unparalleled in history," Smith said.
Most of Shipman's victims were from the greater Manchester area, where he
practiced.
They were, by and large, elderly women who died after being given a lethal
injection, usually of morphine, while Shipman visited them in their homes.
At the former premises of Shipman's practice on Tuesday, in the town of Hyde,
the word "justice" was seen scrawled 12 times across the metal shutters.
The Smith inquiry looked into a total of 887 deaths, and concluded that he had
killed 200 people on top of the 15 for whom he had been convicted.
It also told of a "real suspicion" that Shipman may have been responsible for an
additional 45 deaths, although the evidence was not clear enough to reach a
positive conclusion.
Bindman and Partners, a law firm representing the Shipman family, said in a
statement: "Neither the family nor their solicitors have any other comment at
the moment on his death."


Thursday, 15 January

Alex Barris, game show panelist (Canadian), of complications from a stroke, 81.

Olivia Goldsmith, novelist ("The First Wives Club"), of complications from a
heart attack during plastic surgery, 54.

James Lawrence, guitarist (Hope of the States), hanged (apparent suicide), 26.

Gus Suhr, major-league baseball player (Pittsburgh Pirates), 98.
SCOTTSDALE, Ariz. (AP) — Gus Suhr, who played more games at first base for the
Pittsburgh Pirates than anyone else, has died. He was 98.
Suhr died at his home Thursday, January 15, 2004, said his son, Gus Suhr Jr.
Suhr set the NL record of 822 consecutive games played, a streak that ended in
1937 when he attended his mother's funeral. The mark stood until Stan Musial
broke it in 1957.
"It's a long life. It was a healthy life and it was a good life," his son said
Friday. "Everybody should have such a life."
Suhr hit .279 with 84 home runs and 818 RBIs in the majors from 1930-40. He
spent the first 8 1/2 seasons with the Pirates and finished with the
Philadelphia Phillies.
Suhr was a hit from the start, batting .286 with 17 homers and 107 RBIs as a
rookie. He posted three 100-RBI seasons overall.
An All-Star in 1936, Suhr played 1,339 games at first base for the Pirates.
In 2002, the Pirates honored him at PNC Park as one of 17 former Pittsburgh
All-Stars.
Suhr was promoted to the majors after starring for the San Francisco Seals of
the PCL. He hit .381 with 51 home runs and 177 RBIs in 1929.




Friday, 16 January

Robert Dryden, radio actor ("CBS Radio Mystery Theater"), of Parkinson's
disease, 86.

Kalevi Sorsa, Finnish prime minister (1972-87), cause not reported, 73.

Saturday, 17 January

Harry Brecheen, major-league baseball player (St. Louis), 89.
BETHANY, Okla. (AP) — Former St. Louis Cardinals pitcher Harry "The Cat"
Brecheen, who won three games in the 1946 World Series, died Saturday, January
17, 2004 the funeral home said. He was 89.
Brecheen was a two-time All-Star during his 12-year career. He had a 133-92
record with a 2.92 ERA in 11 seasons with the Cardinals and one with the St.
Louis Browns.
He had a career record of 4-1 in the World Series, and is one of only 11
pitchers to win three games in a World Series since 1905.
In 1946, he beat the Ted Williams-led Boston Red Sox three times to help the
Cardinals win the championship in seven games. He pitched complete games in
Games 2 and 6, and came on in relief to win Game 7.
Brecheen also pitched in the 1943 and the 1944 World Series for the Cardinals.
Brecheen's best season came in 1948 when he went 20-7 and led the National
League with a 2.24 ERA, 149 strikeouts and seven shutouts. He finished second in
the league with 21 complete games




Ray Stark, film producer ("The Way We Were"), after a lengthy illness, 88
LOS ANGELES (AP) - Ray Stark, a publicist and actors' agent who became a
Hollywood power broker and producer of such movies as "Funny Girl,""The Way We
Were," and "The Sunshine Boys," died Saturday after a long illness. He was 88.

Stark died at his home, longtime friend Warren Cowan said.

Stark was considered the last of the great independent producers, following the
pattern of Samuel Goldwyn and David O. Selznick. Like them, he made films that
were often based on best-selling books or hit plays, rich in production value
and cast with major stars.

But unlike Goldwyn and Selznick, who thrived on publicity, Stark preferred to
remain out of the limelight.


He gave only a handful of interviews during his career, and then only if he had
an ax to grind. He issued only a few details in his official biography and was
even sketchy about his age. He indicated his birth date was 1914, but gave no
month or day.

A news release from Stark's family Saturday said he was born Oct. 3, 1915.

Stark's career as producer was notable for his association with Barbra
Streisand.

The son-in-law of Fanny Brice, Stark had long desired to dramatize the life of
the great Broadway singer and comedienne. He put together a stage musical,
"Funny Girl." To play Fanny he chose Streisand, then establishing herself as a
dynamic singer with Broadway and television appearances.

"Funny Girl" and Streisand became the hits of Broadway with the show's premiere
in New York on March 24, 1964. Stark converted it into a glittering movie,
Streisand's debut film. For director he chose William Wyler, a three-time Oscar
winner who had never directed a musical. Herbert Ross staged the musical
numbers.

"Funny Girl" won Streisand an Oscar as best actress (shared in a tie with
Katharine Hepburn for "The Lion in Winter"). She made three more films under her
contract with Stark - "The Owl and the Pussycat,""The Way We Were" and "Funny
Lady." Even after they parted, they remained friends.

Stark films also won Academy Awards for George Burns ("The Sunshine Boys"),
Richard Dreyfus ("The Goodbye Girl") and Maggie Smith ("California Suite").

As a producer, Stark maintained long-term relationships with directors, writers
and stars, some of whom he had represented as an agent. He made 10 films with
Neil Simon, eight with Herbert Ross, five with Jackie Gleason, four with
Streisand, four with John Huston and three with Sydney Pollack.

In 1980, Stark received the Motion Picture Academy's highest prize for a
producer: the Irving G. Thalberg Award for consistent high quality of
production.

Referring to the legendary MGM production head, presenter Kirk Douglas remarked:
"Ray does what Irving used to do."

Stark replied: "Thank you, Kirk, I couldn't have said it better myself."

Stark also enjoyed his reputation as a film industry power broker. Company heads
and financiers often sought his advice and counsel. For many years, he was one
of the biggest stockholders in Columbia Pictures, and he was influential in
company policy. When he was upset over how the new production head, David
Puttnam, was running the studio, he reportedly pulled strings and had Puttnam
fired.

When Coca-Cola bought Columbia for $750 million in 1982, Stark played a
behind-the-scenes role in the sale. He took his Columbia holdings in Coke stock;
by 1987 he had shares worth $44 million. In 1984, Forbes magazine estimated his
net worth at at least $175 million.

Stark was educated at Rutgers University in New Jersey and first worked as a
reporter and publicist. After World War II, he entered the agency business,
starting with radio writers as clients, then moving up to authors such as John
P. Marquand, Thomas Costain and Ben Hecht.

In Hollywood, he joined Charles Feldman's agency, Famous Artists, and learned
the ins and outs of movie deals. Among the clients: William Holden, John Wayne,
Richard Burton, Kirk Douglas and Marilyn Monroe.

In 1957, Stark and Eliot Hyman formed Seven Arts Productions, which supplied
television and feature movies. While there, Stark produced "The World of Suzie
Wong" (William Holden), Tennessee Williams'"The Night of the Iguana" (Richard
Burton, Ava Gardner) and "Reflections in a Golden Eye" (Marlon Brando, Elizabeth
Taylor).

Stark left Seven Arts in 1966 to form Rastar Productions. His first film: "Funny
Girl."

Other Rastar films include: "Fat City,""Murder by Death,""The Cheap
Detective,""Chapter Two,""The Electric Horseman,""Annie,""Brighton Beach
Memoirs,""Nothing in Common,""Smokey and the Bandit,""Peggy Sue Got
Married,""Biloxi Blues,""Steel Magnolias,""Revenge." In 1993, he ventured into
television, making the docudrama "Barbarians at the Gates" for HBO.

Stark was long married to Frances Brice. They had two children, including a son
who died of a drug overdose. Stark owned a horse farm where he raised
thoroughbreds for his racing stable, and he and his wife accumulated one of the
most impressive art collection in the film community.

In a rare public statement, Stark in 1999 answered a Los Angeles Times request
for his philosophy about film making. In his essay, Stark deplored the trend
toward homogenization of movies:

"Films work best when they're specific; oddly enough, the more specific, the
more universal the story. For example: check those artists who've had an impact
on films: Orson Welles, Chaplin, Bergman, Hitchcock, John Ford, and writers like
Neil Simon, Ben Hecht, Tennessee Williams. They never tailored their works for
the largest audience possible. Instead, the largest audience came to them."




Saturday, 17 January

Noble Willingham, actor (C.D. Parker on "Walker, Texas Ranger"), of natural
causes, 72.
PALM SPRINGS, Calif. - Noble Willingham, who worked steadily as a supporting
actor over the last 30 years and left his role as a saloon owner on the series
"Walker, Texas Ranger" to run for Congress, has died. He was 72.

Willingham died Saturday, January 17, 2004 at his Palm Springs home, his
manager, Sandy Josephs, said Tuesday. He died of natural causes, according to
the Riverside County coroner's office.

He played barkeep C.D. Parker on "Walker, Texas Ranger" from 1993-99. His
character was a former Texas Ranger who provided advice on cases to Ranger Cord
Walker, played by series star Chuck Norris.

Willingham was the 2000 Republican nominee for a congressional seat in eastern
Texas, but lost to Democrat Max Sandlin.

Willingham's "distinctive voice and warmly gruff manner" helped him bring
authority figures to life, Josephs said.

He was among the local Texans hired when "The Last Picture Show" (1971) was
filmed on location by director Peter Bogdanovich. His other film credits
included "Paper Moon" (1973); "Chinatown" (1974); "Good Morning, Vietnam"
(1987); City Slickers" (1991); "Ace Ventura: Pet Detective" (1994) and "Up Close
and Personal" (1996).

A native of Mineola, Texas, Willingham pursued his dream of acting after earning
a master's degree at Baylor University and working as a teacher.

He returned to acting after his failed congressional campaign, filming "Blind
Horizon" with star Val Kilmer in 2002. The movie is scheduled to be released
this year.

A visitation was planned for Wednesday, with another to be held Thursday.




Sunday, 18 January

John Hechinger, retailer (The Hechinger Co.), of respiratory failure, 84.

Monday, 19 January

Harry Claiborne, U.S. federal judge (Las Vegas), shot (suicide), 86.

J.J. "Bad Boy" Jones, 77, a blues guitarist and composer who performed in Los
Angeles clubs for more than 40 years, died Monday of a heart attack in Los
Angeles, according to his manager, Diem Van Groth.

Jones had been visiting a friend in Los Angeles and died on his way to his
regular Monday night performance at the Gaslite in Santa Monica, according to
Dennistine Lyle, a friend and ex-wife.

Born Esserlaine Jones in Baton Rouge, La., he began playing the guitar at age 5
and singing in a Baptist church choir soon after.

At 16 he took a job as a long-haul truck driver and started to compose lyrics as
he drove.

He quit his day job after undergoing back surgery in 1996, Lyle said. He was
almost 70 at the time.

Small in stature with a powerful voice, Jones arrived in Los Angeles in the late
1950s and began performing in local clubs and bars.

He was faithful to the blues music he grew up with in the South, playing songs
made popular by a number of his friends, particularly Albert King; King's
brother, B.B. King; Stevie Ray Vaughn; and Jones' cousin, Eddie "Guitar Slim"
Jones.

Jones' friends called him the "bad boy" of blues guitarists as a sign of
respect, and he was dubbed J.J. by Albert King as a compliment suggesting his
own legendary brother.

With his band, "The Bad Boys," Jones regularly performed at Harvelle's Blues
Club in Santa Monica, B.B. King's Club at Universal City and Babe's and Ricky's
Inn in Los Angeles.

"J.J. was a fixture in the Los Angeles blues scene," said Jan Garfinkle, who
played keyboard with Jones' band for many years. "He played traditional blues
and he was an excellent guitarist, even in his 70s."

Jones recorded three albums. The best-known, "Ashes in the Wind" (Aries
Records), was released in 1998.

A memorial service is planned for today at 6 p.m. at Pete's Cafe & Bar, 400 S.
Main St. in downtown Los Angeles.




Tuesday, 20 January

Italia Pennino Coppola, 91; Mother of Director, Actress

Italia Pennino Coppola, the mother of director Francis Ford Coppola and actress
Talia Shire, has died at age 91.

Coppola, who had been ill for some time, died Tuesday, January 20, 2004 at her
home in Los Angeles, said Kathleen Talbert, publicist for the director.

A native of Brooklyn, N.Y., Coppola was the daughter of a composer of popular
Italian songs who also was a motion picture theater owner.

She appeared in two of her son's films, "The Godfather Part II" and "One From
the Heart," and was the author of a cookbook, "Mama Coppola's Pasta Book."

Her husband, flutist Carmine Coppola, who was an Academy Award-winning Hollywood
composer and conductor, died in 1991.

In addition to her son and daughter, Coppola is survived by another son, August
Floyd Coppola; eight grandchildren, including actor Nicolas Cage and director
Sofia Coppola; and three great-grandchildren.

Manuel Vega, Creator Of 'Toucan Sam' Icon

Manuel R. Vega, who created the cereal salesman "Toucan Sam" before guiding
generations of Brentwood art students, died Tuesday, January 20, 2004 in his
home after a bout with pancreatic cancer. He was 71.

Vega was born in Manhattan and graduated from Pratt Institute in 1954 with a
bachelor of fine arts degree in illustration. He worked in advertising for the
next eight years, in the early 1960s drawing the famous fowl with a prodigious
beak and a hankering for Kellogg's Froot Loops.

"Follow your nose. It always knows," the character sang during television
commercials, though friends said Vega wasn't particularly boastful of his
creation.

"It wasn't something that he bragged about, or that he used to introduce himself
with," said Scott Hartman, a director of programs and policies at the Brentwood
district who knew Vega more than 20 years. "I think he was proud of his other
paintings, the ones that were heritage-like. Scenes of Spain, those were
important to him."

Though friends said "Manny" could have written his own ticket as a commercial
illustrator, he decided instead to continue his studies and earn a master's
degree in art education from New York University. In 1961, he became an art
instructor at Brentwood High School, with a desire to teach in the blue-collar
community.

"He basically devoted his life to Brentwood," Hartman said. "He wanted to work
with a more underprivileged group of students."

Vega, who spoke Spanish and English, felt a special connection to the many
Latino students in the area, Hartman said. In 1967, Vega became the district
coordinator of art and created the annual district arts fairs. More than 30
years later, the fairs still display the talents of Brentwood students every
spring.

In 1984, Vega was promoted to district curriculum coordinator, a position he
held until retiring in 1993.

Hartman said Vega painted throughout his career as an educator, his works part
of modest exhibitions throughout the world. His realistic images depict the land
and seascapes of Long Island, American Indian culture and life in Galicia, a
province in northwest Spain where his parents were born.

Vega is survived by his uncle, Joseph Fernandez of Bay Shore, and cousins in
Spain.

A scholarship is being established in Vega's name for a Brentwood High School
student pursuing a future in the visual arts.

Mass is 10 a.m. today at St. Lawrence Roman Catholic Church in Sayville,
followed by burial at Pinelawn Memorial Park in Pinelawn.


Roberta Garfield Cohn, who endured the blacklisting and early death of her
husband, actor John Garfield, has died. She was 89.

Cohn died Tuesday at a nursing center in Los Angeles, according to her daughter,
Julie Garfield. She had Alzheimer's disease and Parkinson's disease.

Born on New York City's Lower East Side to parents who were politically active,
Roberta Garfield became interested in leftist causes. She demonstrated for
unions, opposed the Spanish Civil War and, for a brief time, joined the
Communist Party.

But according to her daughter, she quit after less than a year when she became
disenchanted with the party and Stalinism.

She met Garfield at a block party in 1932 and they were married in 1935. They
had a tempestuous relationship, their daughter said, marked by fights and
separations but with a strong bond beneath the turmoil.

John Garfield, the star of such memorable films as "The Postman Always Rings
Twice," "Body and Soul" and "Force of Evil," was also politically active and
drawn to leftist causes.

"He had been involved in Russian cultural exchanges," his daughter told The
Times. "He signed political documents without thinking and he was against the
Spanish Civil War."

These factors made him the focus of scrutiny by the House Un-American Activities
Committee during its investigation of Communists in the entertainment industry.
He was called to testify before the House committee April 23, 1951, and refused
to identify Communists. The committee questioned some points of his testimony
and turned his case over to the FBI for investigation of possible perjury.

After his appearance, his daughter said, the FBI called him in and asked him to
confirm his wife's involvement in the Communist Party. He responded with
profanity and left.

Garfield, who received an Academy Award nomination for best actor for "Body and
Soul," never worked in films again. He died of a heart attack May 19, 1952, at
the age of 39.

Roberta Garfield was never called to testify before any panel investigating
Communists in the United States. After her husband's death, she retreated from
the public spotlight and raised her daughter, but was bitter.

Julie Garfield, who narrated and participated in making a documentary on her
father, "The John Garfield Story," for Turner Classic Movies last year, told the
Orlando Sentinel that her mother believed studio executives had used Garfield as
a scapegoat to take attention from others in Hollywood because he had "formed
his own production company and they felt threatened by him."

"My mother was so angry at Hollywood," Julie Garfield told The Times last year.
"She conveyed this very mixed message to me … if you were an actor you could
easily get destroyed. My mother never pursued anything," not even getting a star
on Hollywood Boulevard for Garfield.

In 1954, Roberta Garfield married Sidney Cohn, a prominent motion picture
attorney and labor lawyer. He died in 1991.

In addition to her daughter, she is survived by three grandchildren and two
great-grandchildren.


Don Shinnick, who played 13 years as linebacker for the Baltimore Colts and was
the first player from UCLA to play in a Super Bowl, died Tuesday at a rest home
in Modesto of a degenerative brain disease. He was 68.
Shinnick had 37 career interceptions with the Colts from 1957 to 1969, still an
NFL record for a linebacker. He played on the Colts' championship teams of 1958
and 1959.
The 1958 game, in which the Colts defeated the New York Giants, 23-17, in
sudden-death overtime, is considered by many to be the greatest game in NFL
history.
After retiring as a player, he served as an assistant coach with the Chicago
Bears, St. Louis Cardinals, Oakland Raiders and New England Patriots, retiring
after the 1990 season.
Born in Kansas City, Mo., Shinnick grew up in San Pedro, graduating from San
Pedro High.
He played on UCLA's 1954 national championship team and was a second-round draft
choice of the Colts in 1957.
He was the first Bruin to play in a Super Bowl, when the Colts lost to Joe
Namath and the New York Jets in 1969.
Shinnick was inducted into the California Community College Sports Hall of Fame
in 1995 for his playing and coaching at Los Angeles Valley College.
For the last six years, he had been struggling with frontal lobe dementia, a
condition similar to Alzheimer's disease.
Shinnick is survived by his wife, Marsha, and sons Joel, Josh, Peter, Adam and
Chris.
Funeral arrangements were pending.



Jerry Nachman, journalist (MSNBC), of gall bladder cancer, 57.
NEW YORK (Reuters) - Award-winning newsman Jerry Nachman, the editor-in-chief of
cable television network MSNBC and a former chief editor of the New York Post,
has died of cancer, MSNBC said on Tuesday. He was 57.
Nachman, the recipient of a Peabody Award, an Edward R. Murrow Award and an Emmy
Award, died overnight at his home in Hoboken, N.J., the network said.
The outspoken New Yorker was also known for his work in front of the camera as
host of MSNBC's "Nachman" show. He had told viewers of the political talk show
last January that he had been diagnosed with cancer.
"Jerry was well-informed, candid, witty, and charming. He was also a gifted
newsman and executive, and his passing is a loss not just to NBC but to the
entire profession," said Bob Wright, NBC chairman and CEO and vice chairman of
General Electric . MSNBC is co-owned by NBC and Microsoft and NBC is owned by
GE.
Nachman spent years as a news director in stints with two local New York
television stations and also worked as general manager of radio and television
stations in Washington. He was editor in chief of the New York Post from 1989 to
1992.
He also worked in late 2001 as a staff writer for the NBC television series "UC:
Undercover" and was a staff writer and executive producer at "Politically
Incorrect with Bill Maher."
"Jerry Nachman will be remembered not only for what he brought to the news --
insight, context and a relentless search for the truth -- but also for what he
brought to the newsroom -- integrity, tenacity and a refreshing splash of
humor," said NBC News president Neal Shapiro.


Bernard Punsly, actor ("Dead End Kids"), 80.


Thursday, 22 January

Los Angeles -- Ann Miller, the raven-haired, long-legged actress and dancer
whose machine-gun taps won her stardom during the golden age of movie musicals,
died Thursday of lung cancer. She was 81.
Miller died at Cedars-Sinai Medical Center, said Esme Chandlee, her longtime
friend and former publicist.
A onetime childhood dance prodigy, she reached the peak of her film career at
MGM in the late 1940s and early '50s with "On the Town," "Easter Parade" and
"Kiss Me Kate."
She remained a dazzling tapper in her 60s and earned millions on Broadway and
touring with Mickey Rooney in "Sugar Babies," a razzmatazz tribute to the era
of burlesque.
"At MGM, I always played the second feminine lead; I was never the star in
films," she once recalled. "I was the brassy, good-hearted showgirl. I never
really had my big moment on the screen.
"'Sugar Babies' gave me the stardom that my soul kind of yearned for."
Rooney said Thursday that Miller "was a great talent. She is a great talent.
I'll never think of her as being gone."
"She told me the last time I spoke to her she wasn't feeling too well, and I
said, 'Keep your head up, kid.' I'm just very sad."
Miller's legs, pretty face and fast tapping (she claimed the record of 500
taps a minute) earned her jobs in vaudeville and night clubs when she first came
to Hollywood. She adopted the stage name of Anne Miller. Her early film
career included working as a child extra in films and as a chorus girl in a
minor
musical, "The Devil on Horseback."
An appearance at the popular Bal Tabarin in San Francisco won a contract at
RKO studio, where her name was shortened to Ann.
Her first film at RKO, "New Faces of 1937," featured her dancing. She next
played an acting hopeful in "Stage Door," with Katharine Hepburn, Ginger Rogers,
Lucille Ball and Eve Arden.
Most of her RKO films were low-budget musicals and comedies. A contract at
Columbia Pictures started impressively with the role of the would-be ballerina
in Frank Capra's Oscar-winning "You Can't Take It with You."
Then she was cast in a series of wartime B musicals with titles like "True to
the Army," "Priorities on Parade" and "Hey Rookie."
When Cyd Charisse broke a leg before starting "Easter Parade" at MGM with
Fred Astaire, Miller replaced her. That led to an MGM contract and her most
enduring work.
She was teamed with Gene Kelly and Frank Sinatra in "On the Town," Red
Skelton in "Watch the Birdie," and Bob Fosse in "Kiss Me Kate."
Other MGM films included: "Texas Carnival," "Lovely to Look At," "Small Town
Girl," "Deep in My Heart," "Hit the Deck" and "The Opposite Sex."
The popularity of musicals declined in the 1950s, and her film career ended
in 1956. Miller remained active in television and the theater, dancing and
belting songs on Broadway in "Hello, Dolly" and "Mame."
In later years, she astounded audiences in New York, Las Vegas and on the
road with her dynamic tapping in "Sugar Babies" when. The show, starring her and
Rooney, opened on Broadway in 1979 and toured for years. In 1990, she
commented that "Sugar Babies" had made her financially independent.
Before each performance, she practiced for an hour.
"Honestly, I have had to live like a high priestess in this show," she
remarked in a 1984 interview. "It is a very, very lonely life. When you work the
way
I work -- that means hard -- there's no time for play."
She was born Johnnie Lucille Collier in Chireno, Texas, the first name
dictated by her father, who had wanted a boy. After her parents divorced, she
was
called Annie, for reasons she never knew.
Growing up in Houston, Annie suffered from rickets, and dancing lessons
helped straighten her legs. Her mother was almost totally deaf and could not
find
work. By the age of 12, Annie was almost full grown at 5 feet 5, and she danced
to support her mother and herself.
While her career in Hollywood prospered, Miller became a regular figure in
the town's night life, and she caught the eye of Louis B. Mayer, all-powerful
head of MGM. They began dating and could be seen on the dance floors of Ciro's
and Mocambo.
"I think one reason Mr. Mayer fancied himself in love with me was that he was
lonely," she wrote in her 1972 autobiography, "Miller's High Life." Another
reason: "He knew or reasoned that I was as virginal as the day I was born."
She declared that Mayer pleaded for marriage, but her ever-watchful mother
would not allow it. She decided to accept the offer of marriage from steel heir
Reese Milner.
It was a mistake. After giving birth to a daughter who died three hours
later, she divorced Milner. Marriages to oilmen William Moss and Arthur Cameron
also ended in divorce.

GLENDALE, Calif. (AP) — Milt Bernhart, a big band trombonist known for his solo
on Frank Sinatra's "I've Got You Under My Skin," has died, his son David said.
He was 77.

Bernhart died Thursday, January 22, 2004 of of complications of congestive heart
failure.

During his three-decade career, Bernhart played in bands led by Benny Goodman,
Henry Mancini and others.

He was performing in Howard Rumsey's Lighthouse All-Stars when Marlon Brando
arranged for the band to play in the 1954 film "The Wild One."

Bernhart then became an in-studio musician for Columbia and other film and
television studios, and in 1956 added a memorable solo to Sinatra's "I've Got
You Under My Skin."

Born in Valparaiso, Ind., Bernhart was drafted into the Army and was to be sent
overseas during World War II before he was transferred to the service's band.

After his music career wound down in 1973, he bought Kelly Travel Service in Los
Angeles. He created the Big Band Academy of America in 1986 and planned to
retire as the organization's founding president in March.



French comedic actor Ticky Holgado died January 22, 2004 at age 68.
Mr. Holgado appeared in nearly 80 films during the last 20 years.
He may be best known to American audiences for his work in the films of
Jean-Pierre Jeunet.
Those include the delightful "Amelie ," the disturbing "The City of Lost
Children" and the bizarrely hilarious "Delicatessen."
Among Mr. Holgado's other credits are "Les Miserables ," Claude Berri's "Manon
of the Spring," Claude LeLouch's "And Now...Ladies and Gentlemen" and "Let There
Be Light."
Mr. Holgado was nominated for two Cesar's as Best Supporting Actor for the films
"French Twist" and "Wonderful Times."


Billy May, 87; Musician Worked With Frank Sinatra, Peggy Lee

Billy May, a 1950s bandleader, composer and arranger with a highly distinctive
style who worked with such leading recording artists as Frank Sinatra and Peggy
Lee, died of a heart attack Thursday, January 22, 2004 at his home in San Juan
Capistrano. He was 87.

May began his career as a trumpeter with the Charlie Barnet Band in 1938. He
soon was contributing arrangements characterized by what the New Grove
Dictionary of Jazz described as "wailing, 'scooping' saxophones voiced in
thirds."

The best-known of his arrangements for Barnet was for the hit recording of
"Cherokee," the Ray Noble song that became a standard of the swing era and
Barnet's signature tune.

In 1939, May joined the Glenn Miller band, where his arrangements included "Take
the 'A' Train" and "Serenade in Blue." With Miller, he was perhaps best-known
for his trumpet playing, notably on "I dreamt I dwelt in Harlem" in 1941 and
"American Patrol" in 1942.

During the 1940s, May also wrote arrangements for the Les Brown, Woody Herman
and Alvino Rey orchestras and worked in studios and for NBC.

During the 1950s, he led his own band, which scored successes with his
arrangements of "All of Me," "Lulu's Back in Town," "Charmaine," "When My Sugar
Walks Down the Street," "Lean Baby" and "Fat Man Boogie." The latter two were
his own compositions.

During the 1950s and 1960s, he also worked as arranger-conductor for a number of
artists, including Sinatra on the singer's famous "Come Fly With Me" album in
1958. He was associated with Sinatra for three decades after meeting the singer
in a New York saloon in 1939.

His television work included composing, with Milton Raskin, the theme song for
"Naked City," the popular ABC police drama that aired from 1958 to 1963, and
music for the Red Skelton and Ozzie and Harriet Nelson shows.

May is survived by his wife, Doris; daughters Cynthia May, Laureen Mitchell,
Joannie Ransom and Sandra Gregory; and a brother, John.

Charlotte Zwerin, who was in the vanguard of American documentary filmmaking for
four decades as an editor and director and who collaborated with David and
Albert Maysles on the landmark "Gimme Shelter," has died. She was 72.

Zwerin, whose documentaries frequently focused on visual artists and jazz
legends, died of lung cancer Jan. 22 at her home in Manhattan.

Zwerin's talent for structuring narratives in the editing room earned her a
co-director credit after she edited the Maysleses' documentaries "Meet Marlon
Brando" and "A Visit with Truman Capote" (both 1966).

"When it comes to editing documentary material, she was the best by far," Albert
Maysles told The Times this week.

Zwerin's most notable collaborations with the Maysles brothers as co-director
were "Salesman" (1969), a feature-length chronicle about four Boston-based
door-to-door Bible salesmen; and "Gimme Shelter" (1970), a feature-length
documentary on the Rolling Stones' 1969 American tour.

The tour ended with the Stones' notorious free concert at Altamont Speedway in
Livermore, Calif., where members of the Hells Angels, serving as security
guards, brawled with out-of-control fans in the crowd of 300,000 and stabbed a
black teenager to death after the youth charged the stage with a gun.

After learning that the Rolling Stones wanted to view footage of the concert,
Zwerin suggested to the Maysleses that they film the Stones' reactions to what
they were viewing in the editing room and use that sequence as a structuring
device for the documentary.

"It gave us a way to let the audience know right away that what they were about
to see was something very disturbing and not just a music documentary," she told
the New York Times last year.

Stephen Lighthill, one of the cameramen for the film, said in an interview with
Salon.com in 2000 that Zwerin had been "the real hero of the making of the
film."

"I was stunned with what she got out of my footage," Lighthill said. "She
compressed it and gave you a sense of a buildup of the tragedy that you
otherwise wouldn't have."

Zwerin told the New York Times that using the teenager's death to her
professional advantage had caused her many sleepless nights.

"But what happened, happened, and, yes, you're taking advantage of it. But as a
filmmaker, you can't just walk away from something like that," she said.

Among the other films Zwerin co-directed with the Maysleses are two on the
artist Christo: "Running Fence" (1978) and "Islands" (1987).

Zwerin told the New York Times that she had quit working with the Maysleses
because they would not let her produce. "They cast an awful long shadow, and it
came time for me to get out of it," she said.

Among Zwerin's solo films are "De Kooning on de Kooning" (1981) about the
abstract expressionist painter Willem de Kooning; and "Sculpture of Spaces:
Noguchi" (1995), a look at sculptor Isamu Noguchi's gardens, playgrounds and
other public spaces.

Tapping her lifelong love of music, she made, among others, "Thelonious Monk:
Straight, No Chaser" (1989), a portrait of the eccentric and enigmatic jazz
pianist; and "Ella Fitzgerald: Something to Live For" (1999), a biography of the
legendary First Lady of Song that was originally shown as part of the PBS
"American Masters" series.

"She was definitely the filmmaker I wanted for that film," said Susan Lacy,
creator and executive producer of "American Masters."

"She was a great storyteller, a great editor and she really knew and loved jazz:
It was her world. I think she made one of our best films ever."

Describing Zwerin as "very laconic, witty and wise," Lacy said Zwerin was a
pioneer woman in the documentary field and "a mentor to many women filmmakers."

"I adored Charlotte," Lacy said. "She was a great person and a great loss to the
filmmaking world."

Born in Detroit in 1931, Zwerin fell in love with film and music at an early
age. Her passions for both were fueled when her mother took her to downtown
Detroit to see what was billed as "Big Band and a Movie" — a live band
performance that preceded the feature film.

After attending Wayne State University, where she launched a film society, she
moved to New York City in the mid-'50s.

There she became the librarian for the CBS documentary series "The 20th
Century." She was later promoted to assistant film editor but left, she told the
New York Times last year, because women were expected to wear hose and heels and
fill subsidiary roles.

She joined Drew Associates, whose founder, Robert Drew, was a pioneer of cinema
verite, or direct cinema, in which documentary filmmakers used hand-held cameras
and unobtrusive techniques to capture reality on film. She met the Maysles
brothers there.

Zwerin, who also worked early in her career as a film editor for ABC and NBC,
returned to NBC in 1984 as a producer for the magazine show "First Camera."

Last spring, the Museum of Modern Art in New York City presented a retrospective
of her work. She leaves behind an unfinished portrait of a fellow Detroit
native, jazz pianist Tommy Flanagan.

Zwerin, who was divorced from jazz critic Michael Zwerin, is survived by her
brother, Charles Mitchell, and sister, Margaret Tesone, both of Detroit.




Friday, 23 January

Bob Keeshan, Captain Kangaroo, Dies at 76

MONTPELIER, Vt. - Bob Keeshan, who gently entertained and educated generations
of children as television's walrus-mustachioed Captain Kangaroo, died Friday,
January 23, 2004 at 76.

Keeshan, who lived in Hartford, Vt., died of a long illness, his family said in
a statement.

Keeshan's "Captain Kangaroo" premiered on CBS in 1955 and ran for 30 years
before moving to public television for six more. It was wildly popular among
children and won six Emmy Awards, three Gabriels and three Peabody Awards.

The format was simple: Each day, Captain Kangaroo, with his sugar-bowl haircut
and uniform coat, would wander through his Treasure House, chatting with his
good friend Mr. Green Jeans, played by Hugh "Lumpy" Brannum.

He would visit with puppet animals, like Bunny Rabbit, who was scolded for
eating too many carrots, and Mr. Moose, who loved to tell knock-knock jokes.

But the show revolved about the grandfatherly Captain Kangaroo, whose name was
inspired by the kangaroo pouch-like pockets of the coat Keeshan wore.

"I was impressed with the potential positive relationship between grandparents
and grandchildren, so I chose an elderly character," Keeshan said.

In a statement issued by his son Michael, Keeshan's family said: "Our father,
grandfather and friend was as passionate for his family as he was for America's
children. He was largely a private man living an often public life as an
advocate for all that our nation's children deserve."

Keeshan, born in Lynbrook, N.Y., became a page at NBC while he was in high
school. He joined the Marine Corps in 1945.

His first television appearance came in 1948, when he played the voiceless,
horn-honking Clarabell the Clown on the "Howdy Doody Show," a role he created
and played for five years.

Later he played Corny the clown, the host of a noontime cartoon program in New
York City.

"Captain Kangaroo" debuted on Oct. 3, 1955, and Keeshan remained in that role
until 1993.

Keeshan, who moved to Vermont in 1990, remained active as a children's advocate,
writing books, lecturing and lobbying on behalf of children's issues.

He was critical of today's TV programs for children, saying they were too full
of violence. And he spoke wherever he went about the importance of good
parenting.

"Parents are the ultimate role models for children," he said. "Every word,
movement and action has an effect. No other person or outside force has a
greater influence on a child than the parent."

When Fred Rogers, the gentle host of "Mister Rogers' Neighborhood," died last
year, Keeshan recalled how they often spoke about the state of children's
programming.

"I don't think it's any secret that Fred and I were not very happy with the way
children's television had gone," Keeshan said.

In 1987, Keeshan and former Tennessee Gov. Lamar Alexander ( news -web sites )
co-founded Corporate Family Solutions, an organization that provided day-care
programs to businesses around the country.

Keeshan believed children learn more in the first six years of life than at any
other time and was a strong advocate of day care that provides emotional,
physical and intellectual development for children.

"Play is the work of children. It's very serious stuff. And if it's properly
structured in a developmental program, children can blossom," he said.

Keeshan's wife, Jeanne, died in 1990. He had three children.

LOS ANGELES - Acclaimed photographer Helmut Newton was killed in a car crash
Friday, police said. He was 83.
Newton, a fashion photographer whose work appeared in magazines such as Playboy,
Elle and Vogue, was best known for his stark, black-and-white nude photos.
Newton lost control of his Cadillac while leaving the Chateau Marmont hotel in
Hollywood and crashed into a wall across the street, said Officer April Harding,
a police spokeswoman.
Before hitting the wall, the car brushed an Associated Press photographer who
was arriving at the hotel on an unrelated assignment.
Newton was taken to Cedars-Sinai Medical Center, where he died a short time
later, Harding said.
Newton, who was Jewish, fled Germany for Singapore in December 1938, a month
after Nazi-led pogroms. He eventually settled in Australia and became a citizen,
then took up residence in Monte Carlo.



Saturday, 24 January

Leonidas da Silva, soccer player (Brazilian), of Alzheimer's disease, 90.
Actor Albert Henderson has died at age 88. Mr. Henderson played in a number of
notable films during his career. He often played cops.

Mr. Henderson appeared in two films by action director Don Siegel: "Madigan" and
" Coogan's Bluff."

Other film credits include "Serpico," "Cops and Robbers," "The Super Cops" and
the TV movie "Serpico: The Deadly Rage."

He also played a police officer in the erotic supernatural thriller "The
Reincarnation of Peter Proud."

Other credits include Bob Rafelson's version of "The Postman Always Rings
Twice," "Barfly," "Big Top Peewee" and "Trancers 2."

Mr. Henderson may be best known for the role Seaweedhead Greaser in Robert
Downey Sr.'s over the top religious parody "Greaser's Palace."


Sunday, 25 January
Fanny Blankers-Koen, track athlete (Dutch), 85.
Ronald Fredianelli, aka Ronnie Gaylord, pop singer (The Gaylords), of cancer,
73.

TANNY MCDONALD

Stage and film actress Tanny McDonald died Sunday, January 25, 2004 of melanoma
at age 67.

While Ms. McDonald was primarily a stage actress, she did appear in several TV
shows and films. Her credits include the TV mini series "Kennedy" where she
played Lady Bird Johnson.

Other credits include Arnold Schwartzenegger's debut film " Hercules in New
York," "General Hospital," "Kate and Allie" and "Revolution #9."

Ms. Tanny appeared in a number of Broadway productions including "Medea,"
"Macbeth" and "Man of La Mancha."

She made her Broadway debut in "Fiddler on the Roof" with Zero Mostel. Ms.
McDonald played Margarethe Bohr in the touring company of "Copenhagen."




Monday, 26 January
J. Frank Diggs, news editor ("U.S. News & World Report"), of pneumonia, 86.
Fred Haas, pro golfer, 88.

Tuesday, 27 January
Jack Paar, TV host ("The Tonight Show"), of a lengthy illness, 85.
NEW YORK - Jack Paar (news), who held the nation's rapt attention as he
pioneered late-night talk on "The Tonight Show," then told his viewers farewell
when still in his prime, died Tuesday. He was 85.
Canadian Press Slideshow: 'Tonight Show' Host Jack Paar Dies
Related Links•Jack Paar
Paar died at his Greenwich, Conn., home as a result of a long illness, said
Stephen Wells, Paar's son-in-law.

"Jack invented the talk show format as we know it: the ability to sit down and
make small talk big. I will miss him terribly," Merv Griffin (news) said. "Not
only was he a great friend, he was my beginning, just as he was everyone
else's."

Paar's years on NBC enlivened an otherwise "painfully predictable" TV landscape,
wrote The New York Times' Jack Gould in 1962. "Mr. Paar almost alone has managed
to preserve the possibility of surprise."

Johnny Carson (news) took over "The Tonight Show" in 1962. Paar had a prime-time
talk show for three more seasons, then retired from television in 1965.

Carson said he was "very saddened" to hear of Paar's death. "He was a unique
personality who brought a new dimension to late night television."

Paar had taken over the flagging NBC late-night slot in July 1957; Steve Allen
(news) had departed some months earlier. Allen's show was a variety show; Paar's
a talk show.

"Like being chosen as a kamikaze pilot," Paar wrote in "I Kid You Not," a
memoir. "But I felt sure that people would enjoy good, frank and amusing talk."

They did. Viewers loved this cherubic wiseguy, someone once referred to as "like
Peter Pan, if Peter Pan had been written by Mickey Spillane."

Soon, everyone was staying up to watch Paar, then talking about his show the
next day. Even youngsters sent to bed before Paar came on parroted his jaunty
catch phrase, "I kid you not," with which he regularly certified his flow of
self-revealing stories.

Just why he walked away from such a breakthrough career at age 47 would become
an enduring source of conjecture, possibly even for Paar. His explanation would
have to suffice: that he was tired and ready to do other things. He stayed true
to his word, other than a brief return in 1975 as one of several hosts on a
rotating late-night roster at ABC.

Since the mid-1960s, Paar had kept mostly out of the public eye, engaging in
business ventures and indulging his passion for travel.

Off the air, as on, Paar never stopped doing the thing he did best: talk.

"The only time I'm nervous or scared is when I'm NOT talking," he told The
Associated Press in 1997. "When I'm talking, I know that I do it well."

Paar played host to Muhammad Ali when he was still known as Cassius Clay, to a
pleasantly pickled Judy Garland (news), and to the outrageous pianist-composer
Oscar Levant (news). Entertainers Paar championed included Jonathan Winters, Bob
Newhart (news), Carol Burnett (news), Woody Allen (news) and Bill Cosby (news).

Paar's circle of guests included leading politicians. During the 1960
presidential campaign, John F. Kennedy made a triumphant appearance — so much
so, that a few days after the election, Paar got a letter from Joseph P.
Kennedy, the proud father, gushing, "I don't know anybody who did more,
indirectly, to have Jack elected than your own good self."

A man of boundless curiosity and interests, Paar was charming, gracious and
famously sentimental: He could shed tears, as he put it, just from "taking the
Coca-Cola bottles back to the A&P."
He could also be volatile, pettish and confounding. And never so much as in
February 1960, when, making headlines, he emotionally told his thunderstruck
audience that he was leaving his show. It was the night after a skittish NBC
executive had judged obscene, and edited out, a story by Paar where the initials
"W.C." were mistaken for "wayside chapel" instead of "water closet."
A month later, the network managed to lure Paar back. Returning on the night of
March 7, he was greeted with generous applause as he stepped before the cameras.
Then he began his monologue on a typically cheeky note: "As I was saying, before
I was interrupted ... "
Born in Canton, Ohio, in 1918, Jack Harold Paar left school at 16 for a job as a
radio announcer, and soon found success on various stations as a comic-disc
jockey.
Then, in the U.S. Army special services during World War II, he entertained
troops in the South Pacific as a standup comedian. His specialty was poking fun
at officers for an appreciative audience of enlisted men. ("I don't care what
you think of the colonel," he would chide, "stop using your thumbs when you
salute.")

H. B. Haggerty, pro wrestler/actor ("Paint Your Wagon"), of natural causes,
78.
"Hard-Boiled" Haggerty, 78; Wrestler, Stuntman, Actor

He was big .He was bald, and, maybe because he snarled so much, he appeared
ugly.

Size alone set him apart.

His cultivated persona, coupled with genuine athletic and acting ability, earned
him a living and even brought him a little fame.

Don "Hard-Boiled" Haggerty, a wrestler and stuntman who made his memorable
film-acting debut in "Paint Your Wagon" with Clint Eastwood and Lee Marvin, has
died. He was 78.

Haggerty died of natural causes January 27, 2004 at his Malibu home.

At 6 feet, 2 inches and 255 muscular pounds, Haggerty was difficult to ignore,
whatever he did.

In the 1969 musical of the California Gold Rush, "Paint Your Wagon," he stood
out as horse doctor, blacksmith and dentist Steve Bull, who offered a
gold-filled poke to a Mormon mother for the privilege of holding her baby.

Under the name H.B. Haggerty, he went on to perform in 22 motion pictures, more
than 100 television shows, three dozen commercials and several print
advertisements.

The names of his characters pretty much describe what he was hired to do: the
Turk, a sadistic bouncer bashing Anthony Quinn in "A Dream of Kings" in 1969;
Redneck in "Who Is Killing the Stuntmen?" in 1977; Tigerman in "Buck Rogers in
the 25th Century" in 1979; and Awful Abdul in "Million Dollar Mystery" in 1987.


He portrayed any menacing character a director needed — bartender, pool player,
masseur, jailer, lumberjack, cop.

"It's easy," he once told The Times darkly, "to play my own, rotten self."

On television series such as "The Incredible Hulk" and "Mr. Belvedere," he
played a wrestler, a role he had rehearsed thoroughly before paying crowds.

Born Don Stansauk in Los Angeles to a Lithuanian family, he took drama classes
as a student at Franklin High School in Highland Park. During World War II, he
served aboard the battleship New Jersey.

He studied drama at Denver University, Texas Christian University and John Muir
College, where he also competed on collegiate football teams. He had a short run
in the National Football League on the Green Bay Packers and the Detroit Lions,
billing himself not as the fastest, strongest or best, but simply as the largest
player in the NFL.

Next came professional wrestling. He doubled his $5,000 annual pro football
salary when he entered the ring, and multiplied that to $60,000 after he saw the
light, took on a new moniker and "went hard-boiled." Nice guys, he learned,
attract little following in wrestling.

"I like to jerk 'em, and snap 'em and watch 'em fall over," he snarled
appropriately for The Times, demonstrating the persona he was carefully honing.
"It's therapy to me … busting a guy in the nose without getting arrested for
it."

Haggerty learned to outrage his fans, earning lucrative jeers in rings around
the world through the 1950s and 1960s. He aroused such ire that he was shot in
the leg in Louisville, Ky., had his arm broken by a mob in Vancouver, Canada,
and was forced by angry wrestling fans to jump out a second-story window in
Duluth, Minn., when the temperature was minus 18 degrees.

Little wonder he was happy to get into the movie business — whether acting or
performing stunts. The athletic Haggerty did so well at the latter that he was
inducted into the Stuntmen's Hall of Fame.

Haggerty is survived by his daughter, Donna Brown of Cathedral City, and two
granddaughters.

Services were held at 2:30 p.m. Tuesday, February 2nd at Forest Lawn Hollywood
Hills, with a reception that followed at the Sportsmen's Lodge in Studio City.



Wednesday, 28 January
Elroy "Crazy Legs" Hirsch, NFL football player (Los Angeles Rams), 80.
Timothy Ling, oil company executive (Unocal), cause not reported, 46.
Russell Walseth, college basketball coach (University of Colorado), of cancer,
77.
Peter(Dino) Dines, keyboard player with T.Rex (1974 – 1977) died from
a suspected heart attack on Wednesday 28 January at the age of just
59.


Thursday, 29 January
Mary-Ellis Bunim, TV producer ("The Real World"), of breast cancer, 57.
Janet Frame, writer ("Owls Do Cry"), of leukemia, 30.
Dick Hawley, TV newscaster (Memphis, TN), of heart disease, 79.
Louie B. Nunn, governor of Kentucky (R, 1967-71), of a heart attack, 79.
Ed Sciaky, radio broadcaster (Philadelphia), cause not reported, 55.

LOS ANGELES (AP) - Rose Marie Zappa, the mother of the late musician Frank
Zappa, died Thursday. She was 91.
She died at a Burbank convalescent hospital, said daughter Patrice Zappa.
Zappa was born in the United States, the daughter of Italian immigrants. She
and her husband married in Baltimore in 1939 and moved to San Diego 15 years
later.
Frank Zappa, who started out with the 1960s group the Mothers of Invention,
recorded dozens of solo albums until his death from prostate cancer in 1993 at
age 52.

M. M. Kaye, author ("The Far Pavillions"), 95.

Friday, 30 January
Frank Mantooth, jazz musician, of natural causes, 56

NEW YORK - Robert Harth, who became the head of Carnegie Hall days after the
Sept. 11, 2001, terror attacks and led America's premier classical music venue
into an adventurous new era, has died. He was 47.

The hall's executive and artistic director was found dead Friday evening at his
apartment near Carnegie Hall, said Ann Diebold, a spokeswoman at the hall. She
said he suffered a heart attack.

Harth had planned to announce the hall's new season on Tuesday, including the
second year of programs at the Judy and Arthur Zankel Hall, the $72 million,
644-seat hall that sealed Harth's reputation as a cutting-edge arts
administrator.

Harth spearheaded an eclectic blend of programming at Zankel, from new classical
compositions, jazz and rock to avant-garde theater that drew a wider audience
than usually attends Carnegie performances.

During the two-week festival inaugurating Zankel Hall in September, a beaming
Harth could be seen every night in a balcony seat.

"We want the widest possible audience to experience the hall — a window through
which to explore the wonders of different musical genres," Harth told The
Associated Press. "We're stepping out of our comfort zone in Zankel Hall. We're
being adventurous!"

Harth arrived in New York on Sept. 8, 2001, and was soon planning a Concert of
Remembrance in the wake of the terrorist attacks. Metal detectors were installed
at Carnegie's front entrance to screen spectators arriving for concerts.

That month, former Carnegie Hall president and famed violinist Isaac Stern died.


"For us at Carnegie Hall his death, so close to the September 11 attacks,
stacked grief on top of grief," Harth wrote in the September-October 2002 issue
of Symphony magazine.

"Baptism by fire? Absolutely," Harth wrote of his new job.

During his tenure, a proposed merger between Carnegie Hall and the New York
Philharmonic was planned and later abandoned, mainly because of schedule and
space conflicts.

Harth took over at Carnegie Hall after serving as president and CEO of the Aspen
Music Festival and School in Colorado.

The Louisville, Ky., native was a trained violinist, flutist and composer. He
began his career at the Ravinia Festival in 1975 as production manager of the
Chicago Symphony's summer series. He then served as general manager of the Los
Angeles Philharmonic, also overseeing the Hollywood Bowl.

Harth is survived by his companion, Stacey Buck; his parents, Sidney Harth and
Teresa Testa Harth; sister Laura Harth Rodriguez; and his son, Jeffrey Curtis
and former wife Melanie Harth.

Ernest Burke, Negro Leagues baseball player (Baltimore Elite Giants), of
kidney cancer, 79.

Eleanor Holm, swimmer (1932 Olympics), of kidney failure, 90 or 91.